1,348 Royalty-Free Audio Tracks for "Synthetic Tones"

A clothpass of someone wearing latex, a cape, and synthetic fibers.

Synthetic chorus_ah_d#_c#_b_g# stereo.

Synthetic steam train generated with zynaddsubfx and ardour with minimal postprocessing.

Made in reaper with noise and filters mid side and phase quad etc. . .

Some high-pitched samples granularized to create a texture sounding like insects.

This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. This sound was created using audacity. With it i opted to show you what is the effect of 440 hz sound with an amplitude of 0,8 on our body. It’s a sound creating disorder and is even difficult to listen to for a long time. Ce son est de type x (continu complexe), il est un son seul tonique et terne. L’attaque au début est graduelle et forte. Le son est dense, profond et intense.

A recording of a room-ambience (cad m179) that was processed in reaper using a reverb with strong modulation.

Process music, created in early 2011 using a digital sampler.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Series of interesting descending bleeps made by circuit-bent yamaha rx17 drum machine feeding lexicon mpx 100 fx unit with feedback loop.

This is a synthetic car crash using granular synthesis created by nbt project members for sound creation lab course on upf. We also used a car crash sound taken from freesound:. Http://freesound. Org/people/musicmasta1/sounds/131385/.

Genetic programming of sound synthesis building blocks in scalacollider.

Genetic programming of sound synthesis building blocks in scalacollider, successively applying a parametric stereo expansion.

Synthetic sound of buzzing mosquitos or bees.

This is a synthetic sample replayed in several octaves, run through at least 10 filters and sends and replayed several times to get a complete effect.

A synthetic gong sound.

A synthesized wobbly effect sound. Can be useful as an effect for various media productions.

A simple bell sound created with additive synthesis. A combination of eleven oscillator, each one with a different envelope. The resulting udible tone is more or less a b. The sound itself is mixed with a simple piano b note, just to aid tone recognition.

Weird resonant atmosphere created with an excellent sound generator.

Artificially created rain sound. Amsynth and a few ladspa, lv2 filters used. I made this sound quite by accident while experimenting with the several controls on the synth prog!.

Cute tune made using beepbox with saw waves.

Click sound effect.

A blaring horn made up of lots of synthetic sounds layered over the top of one another.

Sine wave tone in 440hz.

Ableton, fx, dune.

A synthesized weapon firing.

A sci-fi power generator. Synthesized with vcv rack.

Digital writing sound. Synthesized with vcv rack.

A soft engine or machine of some sort. Syhthesized with vcv rack.

Synthesizer: fruity dx10.

Synthetic electronic machine sound.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Janacek Sinfonietta 2nd movement, opening bars

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Tone row of Webern's Variations for piano, op. 27.

Berg violin concerto tone row

C6add9 chord.

Nederlands: demo kwarttonenquartertones

Extract from Chalres-Valentin Alkan's 'Esquisses', no. 45, published 1861 in Paris.

Short tone sound from an ignition of a newer model truck.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

viio/V - V - I chord progression. Common in ragtime.

Tone row from Stockhausen's Klavierstück IX.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone proportions of Studie I. I took F♮ as the starting point.

Secondary leading tone in Beethoven Sonata in C for piano Op. 53, first movement.

Prime row form from Stravinsky's Requiem Canticles.

Tone row with Schoenberg's initials preceded by remaining four notes.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.